Brumbach497

David Brumbach. 246/250. The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This piece with the complete Philadelphia Landmarks suite was acquired in 1986. The image is signed in the plate and is also signed and numbered in pencil on the sheet. This piece was created to honor the architectural landmark depicted in it. The legend sheet discusses some of Benjamin Franklin's achievements and traces the history of the building created in 1823. The artwork, margins and art surface, is in pristine condition. Close-Up

Brumbach497L

Legend: The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This handsome lithograph is a beautifully illustrated history of the structure conceived in 1823 and originally called the Franklin Institute of the State of Pennsylvania for the Promotion of the Mechanic Arts. Throughout the nineteenth century, the institute's pioneering effort in education had enormous influence. Today it has expanded to include some four hundred working exhibits which are as enlightening as they are entertaining, bringing together the principles of science and technology. The artwork, margins and art surface, is in pristine condition. Close-up

Doyle190J

John L. Doyle. Justification Sheet for The Medicine Men suite. 69/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-up

Doyle190L

John L. Doyle. Legend Sheet for the Acupuncturist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-up

Doyle190

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-up

Doyle189

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-up

Doyle183L

John L. Doyle. Legend Sheet for the Bear Cult Shaman. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bear Cult Shaman artwork. The full sheet, margins and surface, is in pristine condition. Close-up

Doyle183

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives paper with beautiful deckle edges. This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle184

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle175L

John L. Doyle. Legend Sheet for the Bon Sorcerer. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bon Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle175

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives white paper, with beautiful deckled edges. This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle176

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle187L

John L. Doyle. Legend Sheet for the Bezoarist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bezoarist artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle187

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle186

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light brown paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle177L

John L. Doyle. Legend Sheet for the Black Foot Medicine Man. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle177

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle178

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle179L

John L. Doyle. Legend Sheet for the Luo Witchdoctor. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Luo Witchdoctor artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle179

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome handmade white BFK Rives paper with beautiful deckled edges. This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle180

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle181L

John L. Doyle. Legend Sheet for the Physician. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Physician artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle181

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle182

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light black paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle191L

John L. Doyle. Legend Sheet for the Surgeon Barber From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Barber artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle191

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle192

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade off white paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle185L

John L. Doyle. Legend Sheet for the Voodo Hougan. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Voodo Hougan artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle185

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle188

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452Just

John L. Doyle. Justification Sheet for The Builders suite. 111/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1983. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452BBB

John L. Doyle. Legend Sheet for Aztec Echo. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452B

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Aztec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452BB

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Azec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GGG

John L. Doyle. Legend Sheet The Vision. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452G

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GG

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle800Cat

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Catalogue for The Counselors suite. This 20 page color catalogue displays the images in the suite, their legend sheets, and the suite's justification page. Text includes historical information from The Counselors presentation at William Mitchell Law School and Harvard University Law Library. Line and color drawings with handwritten anecdotal comments record stages of Doyle's research, and illustrate information about physical, spiritual, and intellectual foundations of law. Preliminary and intermediate drawings, color and monochrome lithograph proofs, and photographs of the final drawings made directly on the lithograph stones, complete a visual research record of work process, theories and philosophies. The catalogue closes with a Doyle biography, list of private and public collectors and exhibitors, acknowledgments of personal relationships and associations with renown institutions, and thanks for encouragement and contributions. Close-Up

Doyle800Just

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Justification Sheet for The Counselors suite. 147/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1985. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition.Close-Up

Doyle543

John L. Doyle. Sharpshooters. Lithograph. 3/75. The paper size is 40" x 30". The lithograph was acquired in 1981. The lithograph is signed and numbered in pencil. The Cowboy Series, from which this lithograph is taken, was created in 1975. Sharpshooters, a monochrome hand printed stone lithograph on BFK Rives white paper, was the frontispiece for the portfolio. The ink is umber colored and the drawing is strong and sensitive. This handsome and charming montage composition presents American West "olde time favorite" personalities including Jesse James, Wyatt Earp, and Annie Oakley. The artwork, margins and art surface, is in pristine condition. Close-Up

$3,000.

Kimura72

Risaburo Kimura. Geneva, from the suite Great Cities of the World. 153/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$385.

Kimura82

Risaburo Kimura. Sydney, from the suite Great Cities of the World. 244/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$385.

King, Mark88

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Mark King. Pulse of the City. XXXVI/CL. Serigraph. The paper size is 58" x 42". The art was acquired in 1980. The serigraph is signed and numbered in pencil. The ink surface is unusual in that it has a high gloss and looks as though it were oil paint and not screened ink. The artwork, margins and art surface, is in pristine condition. Close-Up

$2,500.

Minch495

Edith Minch. 246/250. Cathedral Basilica SS. Peter and Paul. Offset Lithograph. The paper size is 18" x 16". This piece with the complete Philadelphia Landmarks suite was acquired in 1986. The image is signed in the plate and is also signed and numbered in pencil on the sheet. This piece was created to honor the architectural landmark depicted in it. The legend sheet discusses the history of religious freedom that inspired the creation of the building in 1846, and traces the history of this world renowned sanctuary and the treasures within it. The artwork, margins and art surface, is in pristine condition. Close-Up

Minch495L

Legend : Cathedral Basilica SS. Peter and Paul. Offset Lithograph. The paper size is 18" x 16". This handsome lithograph is a beautifully illustrated history of the structure conceived in 1846, one of the most enduring monuments to Philadelphia's tradition of religious liberty. The Legend discusses and illustrates the impressive baldachin, or canopy, that covers the main altar, the gleaming capitals and entablature which are cast in bronze, and treasures displayed within including a silver chalice lined with gold that was given to St. John Neumann in 1852 by the people of the diocese upon his elevation to bishop in 1852. The cathedral is known throughout the Catholic world for its collection of religious and secular art, including the original decorative work by Constantino Brumidi, who also decorated the United States Capitol dome. The artwork, margins and art surface, is in pristine condition. Close-Up

The two lithographs: $450.

Shirlee443a

Shirlee, Atlantic City Pier. Unique Drawing. Pen and Ink Drawing. The paper size is 16" x 20". This drawing was acquired in 1976. For information about the drawing and its history please read the paragraphs above. This drawing was photographed while mounted and matted. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

$450.