Agam275T

Yaakov Agam. The Fusion Suite. Edition of 200. Serigraphs. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". Printed in New York, USA. The suite, displayed in this composite page, was acquired in 1978. These serigraphs are based on the concept of Agam's contrapuntal paintings, and are classical representations of Agam's life work. They demonstrate the concepts of the innovative critical language Agam's work brought to the art world, illustrating the changing nature of the universe, based on an appreciation and understanding of motion and harmony. A viewer, looking Agam's work from different angles, can identify any number of concurrent visual designs. Art is virtually created by the viewer's eye as it moves across the page. The concept is an art work's "constant becoming."

Each original serigraph image is signed and numbered in pencil. The serigraphs are printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality the feel of a light cardboard. The nature of the paper makes the prints suitable for floating or matting in a traditional frame, or box. The Fusion Suite is particularly interesting because it's combined major pieces (imagined superimposed on each other) aesthetically complete the visual aesthetic - an artwork simultaneously kinetic and static, the synthesis of Agam's kinetic theory. The three major pieces from this suite are displayed directly below: Agam173, Agam274, and the synthesis artwork, Agam275. Close-Up

Agam273

Yaakov Agam. Solfage Fusion 131/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam274 directly below, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

Agam274

Yaakov Agam. Solfage Fusion 150/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam273 directly above, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

Agam275

Yaakov Agam. Synthesis: Solfage Fusion 98/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil. The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. The art image is the final fusion of two images from the suite, presented above (Agam272 and Agam274). The upper corner of the left margin has an almost indiscernible crease, about 1/2" in from the edge. Otherwise the artwork, margins and image surface, is in pristine condition.

Note: This work is a combination of the two suite images displayed directly above, Agam273 and Agam274. This synthesis piece combined with the two preceding images is a classic example of Agam's aesthetic of interlacing themes and shifting images. See the composite above. Close-Up

The three Fusion Suite serigraphs $6,500.

Agam638

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Yaakov Agam. Transformables. Poster. Serigraph. 40" x 20". This rare poster was acquired in 1976. It is a commemorative artwork which advertised the 1971 one man show at the renowned Denise Rene gallery in New York. The black and white image appears to tumble similarly to Agam's most well known works, which in their appearance of tumbling colors and shapes transform themselves, changing from one visual impression to another. Close-Up

$300.

Amager196

(This piece is not show on our site at this time, but is available. Contact us if you would like to see it.)

Christine Amarger. El Paris, France. 5/96. Etching. The paper size is 22" x 30". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Amarger197

(This piece is not show on our site at this time, but is available. Contact us if you would like to see it.)

Christine Amarger. Jerusalem Post, Israel. H/C. Etching. The paper size is 30" x 22". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Armarger198

Christine Amarger. Los Angles Times, USA. H/C. Etching. The paper size is 20" x 22". The etching was acquired in 1983. Color and detail are excellent, vibrant and subtle. The etching is signed and numbered in pencil The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Amarger199

Christine Amarger. New York Post, USA. H/C. Etching. The paper size is 22" x 30". The etching was acquired in 1983. It is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Amarger200

Christine Amarger. Yomiuri Shimbun, Japan. H/C. Etching. The paper size is 22" x 30". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Chemaikin281

Mihail Chemaikin. 220/225. Lithograph. From the 1978 Carnival at St. Petersburg suite. The paper size is 30" x 22". The image size is 20" x 17 1/2". The lithograph was acquired in 1978. The suite was created in an edition of 225 on Arches paper and 75 on Japon paper. The lithograph is signed and numbered in pencil. The artwork, margins and art surface, is in pristine condition. Close-Up

$2,500.

CH240

Shui Yi. Kweilin Mountains in Mist Edition of 100. Watercolor on silk. The paper size is 12 1/2" x 18 1/2" . This 1978 watercolor was acquired in 1981. This artwork is authenticated by the artist's seal. Kwelin, a city in the northeaster part of south China's Kwangsi Chuang autonomous region, is a city with scenery that has captivated the imagination of travelers, artists, and poets for centuries. Kweilin, typical of China's karst lands, owes its fame to its peculiar topography which can be traced over 300 million years to the period when the region was a sea bed with thick overlay of limestone. Through crustal movement, the sea bed thrust up, and the layers of limestone, eroded by acidic water and wind, formed an expanse of land marked by majestic hills and caverns in fantastic shapes. The area is made up of unusually shaped limestone hills, underground hills, underground rivers, and numerous caves. This original hand painted landscape is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

$450.

CH752

Yi Shui-yun. Man with Horse. Watercolor. The paper size is 14" x 20". This original watercolor is one of a pair of watercolors, the partner watercolor being the image displayed directly below, Two Riders on Horseback and Two Men. Painted during summer, both pieces were inspired by the old city in which they were painted. The pair was acquired in 1981. The watercolor is authenticated by the artist's seal. Handsomely executed in contemporary color this work illustrates ancient life in China during the Sung or Ming Dynasty. Figures armed with bow's are apparently preparing for battle, hunt, or sport. Images are presented in brilliant gouache with a handsome use of white for the opaque color. The painting, a one of a kind original, is mounted with a silk brocade border. The artwork, margins and art surface is in pristine condition. Close-Up | Closer

$650.

CH241

Yi Shui-yun. Two Riders on Horseback and Two Men. Watercolor. The paper size is 14" x 20". This original watercolor is one of a pair of watercolors, the partner watercolor being the image displayed directly above, Man with a Horse. Painted during summer, both pieces were inspired by the old city in which they were painted. The pair was acquired in 1981. The watercolor is authenticated by the artist's seal. Handsomely executed in contemporary color this work illustrates ancient life in China during the Sung or Ming Dynasty. Figures armed with bow's are apparently preparing for battle, hunt, or sport. Images are presented in brilliant gouache with a handsome use of white for the opaque color. The painting, a one of a kind original, is mounted with a silk brocade border. The artwork, margins and art surface is in pristine condition. Close-Up | Closer

$650.

CH246

Yu. Landscape of Beauty with Lake, Mountain, and Sails. Watercolor. The paper size is 16" x 27". This watercolor painted during a new moon during in or around 1978, was acquired in 1981. This original watercolor is authenticated by the artist's seal. In this painting the artist uses a series of planes receding into the distance which nicely combines Chinese traditional spatial presentation with more recent art such as the space concepts used by Cezanne. The handling of space over all is redolent of a land-space tradition which is centuries old. The work is painted with the limited pallette common in much ancient Chinese art. The suggestion of figures off in the distance is a traditional handling of the figure in a landscape. Although man is possessed of intellect, the figure is a minor element compared to the infinite world of nature where a countryside of towering surreal mountains and water ask for awe and contemplation. The spirit and the delicate painting technique of this lovely painting is thoroughly Chinese. This original hand painted landscape is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

$650.

CH 239

Zheng Ging. Peony. Watercolor on silk. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

This painting is one of a triptych. White Blossoms CH748 and, Purple Blossoms CH747, the other two images in the triptych, are discussed below.

$385.

CH 748

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zheng Ging. White Blossoms. Watercolor. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

This painting is one of a triptych. Peony CH239 and, Purple Blossoms CH747, the other two images discussed directly above and below.

$385.

CH 747

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zheng Ging. Purple Blossoms. Watercolor. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

This painting is one of a triptych. Contact us to see Peony CH239 and, White Blossoms CH748, the other two images discussed directly above.

$385.

CH 243

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Liu Jin-feng. Grazing Horses. Painted after brick tomb painting from a collection from ancient tombs of the period 618-960 AD, between the Han and Tang dynasties. The paper size is 12 ½" x 20 ½". The watercolor was acquired in 1981. This original watercolor, painted by a female artist and authenticated by the artist's red seal is mounted with a silk brocade border. This painting is a perfect pair to Musicians, discussed directly below. The artwork, margins and art surface, is in pristine condition. Close-Up

About Ancient Tomb Brick Paintings

China's ancient mural painting is noted for its long history, rich content and unique style. It is a crystallization of the wisdom and devotion of Chinese painters through the ages. Six tombs of the Wei and Chin periods (ca. AD 220-316) located in the Gobi Desert and excavated in 1972-73 uncovered a collection of brilliantly colored paintings in the interior brick walls. These paintings are unsurpassed by any other known tomb wall paintings, in both quantity and the richness of their content. These and those above which are representations from Hang - Tang periods (ca. 618-960), present an intimate glimpse of life in China during ancient time.

The paintings are lively, based upon careful observation, and reveal details of dress, habit and personalities. The brush strokes, free and bold - splashes of color - mainly ochre and reds, express warmth and movement. This style is simple and unpretentious and communicates the full, rich flavor of ancient China. The discovery of these extremely rare paintings gives important information to Chinese historians and is a thrilling source of visual pleasure for collectors.

$250.

CH 244

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Bao. Musicians with Pee Pah and Flute. Painted after brick tomb painting from a collection from ancient tombs of the period 618-960 AD, between the Han and Tang dynasties. The paper size is 12 ½" x 20 ½". The watercolor was acquired in 1981. This original watercolor, painted by a male artist and authenticated by the artist's red seal is mounted with a silk brocade border. This painting is a perfect pair to Grazing Horses, discussed directly above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

About Ancient Tomb Brick Paintings

China's ancient mural painting is noted for its long history, rich content and unique style. It is a crystallization of the wisdom and devotion of Chinese painters through the ages. Six tombs of the Wei and Chin periods (ca. AD 220-316) located in the Gobi Desert and excavated in 1972-73 uncovered a collection of brilliantly colored paintings in the interior brick walls. These paintings are unsurpassed by any other known tomb wall paintings, in both quantity and the richness of their content. These and those above which are representations from Hang - Tang periods (ca.618-960), present an intimate glimpse of life in China during ancient time.

The paintings are lively, based upon careful observation, and reveal details of dress, habit and personalities. The brush strokes, free and bold - splashes of color - mainly ochre and reds, express warmth and movement. This style is simple and unpretentious and communicates the full, rich flavor of ancient China. The discovery of these extremely rare paintings gives important information to Chinese historians and is a thrilling source of visual pleasure for collectors.

$250.

CH2

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zhejiang printmaker, after a painting by Bai Xu-hao. Cultivating Medicinal Herbs. Limited Edition Woodblock Print from Huhsien Country. The paper size is 20" x 27". This original 1983 woodblock print is authenticated on the verso (back of the paper) with script and the name of the artist. The art was acquired in 1983. This woodblock print was made by an art scholar replicating the imagery and style of Bai Xu-hao of Hu County, in China's Shensi Province. This art is that of the peasant painters of Husien Country who in 1958 first showed pictures, such as these. Bright color and bold design are the trademark of this art. The artwork, margins and art surface, is in pristine condition. Close-Up

About Woodblock Prints from Hushsien Country:

In 1958, untrained farmers began to paint in China with no sense of obligation to the aristocratic art of China's past. They made pictures of their daily lives, with bright color and bold design. Their efforts were received enthusiastically when more than 2,1000,000. people saw the first major exhibition of the work in Peking in 1973, and again in France at the 1974 Paris Biennial.

$350.

Dali2003-4T

Salvador Dali. Homage to Homer suite. A USA edition of 350 and an International edition of 350. The paper size is 30" x 40". The two images in the suite are 29" x 21". The suite was acquired in 1977. The artworks are signed and numbered in pencil. This suite represents Dali's classic work from this prime period of his artistic career, both in terms of subject matter and artistic style. The printmaking is exquisite; the depth of color gives the art a subtle quality and a rich surface, simultaneously. The surface is velvet-like. The artworks, margins and art surface, are in pristine condition. Close-Up

Dali2003

Salvador Dali. Helen of Troy from the Homage to Homer suite. 56/350. Lithograph. The paper size is 30" x 40". The image size is 29" x 21". The lithograph was acquired in 1977. The artwork is signed and numbered in pencil. This lithograph is a classic Dali image from this prime period of his artistic career, both in terms of subject matter and artistic style. The printing is exquisite. The depth of color allows a subtle quality and a rich surface to move across the page creating a visual quality like velvet. The artwork, margins and art surface, is in pristine condition. Close-Up

$4,200.

Ebgi30

Amram Ebgi. Two Musicians. AP/4. Etching. The paper size is 15" x 10". The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering with unique charm. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a perfect pair to the Three Musicians & One Dancing Ebgi755, shown directly below. Close-Up

$350.

Ebgi755

Amram Ebgi. Three Musicians & One Dancing. 25/100. Etching. The paper size is 15" x 10". The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering with unique charm. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. There are slight handling creases in the margins. There is an ink smudge on the edge of the upper right margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a perfect pair to Two Musicians Ebgi30, shown directly above. Close-Up

$350.

Ebgi785

Amram Ebgi. Fisherman. 7/100. Etching. The paper size is 15" x 21".The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. The print was matted with an acid mat and there is foxing at where the mat opened. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a nice pair to the Wailing Wall Ebgi34, shown directly below. Close-Up

$375.

Ebgi34

Amram Ebgi. Wailing Wall. 37/199. Etching. The paper size is 21" x 15. The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. The print was matted with an acid mat and there is slight foxing at where the mat opened. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a nice pair to the Fisherman Ebgi785, shown directly above. Close-Up

$375.

Herrera211

Miguel Herrera. Christ's Crown. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213a

Miguel Herrera. Dragon Flower. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213

Miguel Herrera. Bearded Iris. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera219

Miguel Herrera. Irises. LV/LXXV. Etching. The paper size is 22" x 30" . The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$700.

Herrera214

Miguel Herrera. Gemini. 24/150. Etching. The paper size is 17" x 13". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$600.

Herrera218

Miguel Herrera. Naturaleaza Muerta (36). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera215

Miguel Herrera. Naturaleaza Muerta (39). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera216

Miguel Herrera. Naturaleaza Muerta (40). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera217

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera220

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Kimura72

Risaburo Kimura. Geneva, from the suite Great Cities of the World. 153/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$385.

Kimura82

Risaburo Kimura. Sydney, from the suite Great Cities of the World. 244/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$385.

Lautrec158T

Toulouse-Lautrec. Poster Classics. Generally master art works, such as the Toulouse-Lautrec posters shown in this composite, are photomechanically reproduced in unlimited quantity to make the art they copy available to large audiences. The poster recreations in this composite, displayed below, are different. They are limited edition lithographs, drawn by a chromist, on zinc plates and lithographic stones. Although not the original posters of the late 19th Century, these are the only Lautrec poster images authenticated by the Lautrec Museum in Albi France. These perfect replicas, slightly reduced in dimensions from the original posters, have accurate and vibrant color and drawing true to the images created by Lautrec. Each piece is printed on Rives BFK 100% rag paper and bears the seal, or cachet, of the Museum. Respected as original fine quality authenticated lithograph posters, these images represent the best art produced in the period. Close-Up

Lautrec159

Toulouse-de Lautrec. Divan Japonais. Lithograph. Limited Edition 1895 Replica Poster. The paper size is 31"x 34". This piece was acquired in 1985. Originally executed in 1893, this poster was designed to accompany the opening of a cafe concert (The Divan Japonais) in the rue des Martyrs. The print depicts Jane Avril, a model, seated at the edge of the orchestra pit which was used as the bar. She is made up in the Japonais fashion, her face thick with pancake makeup. The chanteuse, whose head has been left out of the picture, is Yvette Guilbert, identifiable by the long black gloves, a standard part of her costume. Despite the success of the poster, which some consider one of Lautrec's most successful, the cafe-concert closed shortly after it opened. Color is brilliant and the texture of the piece is lush. For more information on this recreation please see the paragraphs above. The artwork, full surface and texture, is in pristine condition. Close-Up

$ 450.

Lautrec163

Toulouse-de Lautrec. May Belfort. Lithograph. Limited Edition 1895 Replica Poster. The paper size is 31" x 23 1/2" . This piece was acquired in 1985. Lautrec was fascinated with the ladies of the stage. However, few posters, if any, rival the brilliance of those of May Belfort. In this poster Belfort, a Montmartre chanteuse, is holding a small black kitten whose bright eyes stare out over the footlights into the audience. This cat also appears in a series of four other prints executed by Lautrec. This kitten was to Belfort what long black gloves were to others stars, such as Lautrec's favorite Yvette Guilbert. Color is brilliant, and the texture of the piece is lush. For more information on this recreation please see the paragraphs above. The artwork, full surface and texture, is in pristine condition. Close-Up

$ 385.

Lautrec162

Toulouse-de Lautrec. La Revue Blanche. Lithograph. Limited Edition 1895 Replica Poster. The paper size is 37" x 27 1/2" . This piece was acquired in 1985. Originally executed in 1895, this work reflects Bonnard's influence on Lautrec's sense of graphic design. The figure is strongly reminiscent of Bonnard's La Petite Blanchissuese and Femme au Parpluie. The figure in this poster is Missia, wife of one of the directors of La Revue Blanche. Color is brilliant and the texture of the piece is lush. For more information on this recreation please see the paragraphs above. The artwork, full surface and texture, is in pristine condition. Close-Up

$450.

LeBaDang344

Le Ba Dang. Blue Asian Landscape. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

LeBaDang92

Le Ba Dang. Green Composition with Sun, and Flower in Vase. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

LeBaDang345

Le Ba Dang. Green Evening Landscape with Boats. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

LeBaDang93

Le Ba Dang. Yellow Composition with Blue Flower. 78/195 Lithograph. The paper size is 30" x 22". The medium was acquired in 1979. For discussion about the work see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

Note: The grey area in the margin is in the photograph of the artwork only. It is not in the actual art.

$1,200.

Solombre360

Jean Solombre. Image of a Circus Tent. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/20. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This circus tent image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre360A

Jean Solombre. Poem for the Tent Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $950.

Solombre361

Jean Solombre. Landscape: Field with Trees. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This field and tree image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre361A

Jean Solombre. Poem for the Field Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $950.

Solombre362

Jean Solombre. Landscape: Field with Clouds. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work with browns greys, purples and greens is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This field and clouds image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition.Close-Up | Closer

Solombre362A

Jean Solombre. Poem for the Field with Clouds Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $950.

Solombre363

Jean Solombre. Sea: Calm Sea with Reflections. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This sea with reflection image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre363A

Jean Solombre. Poem for the Sea Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $950.

See Corneille:French Artist.
Contact us to see other available engravings by Solombre, not shown on our site at this time.

Yokoi231

Tomoe Yokoi. Broom . A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 26" x 20". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.

Yokoi232

Tomoe Yokoi. Bugle. A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 20" x 26". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.

Yokoi235

Tomoe Yokoi. Salad Bowl . A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 20" x 26". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.