Bisson740

Paul Bisson. Pete Levels. 99/175. Etching. The paper size is 23" x 26". The etching was acquired in 1978. The etching is signed and numbered in pencil. The paper has deckled edges. The margins have a few faint surface handling impressions. The artwork, margins and art surface is in excellent condition. Close-Up | Closer

$ 650.

Brumbach497

David Brumbach. 246/250. The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This piece with the complete Philadelphia Landmarks suite was acquired in 1986. The image is signed in the plate and is also signed and numbered in pencil on the sheet. This piece was created to honor the architectural landmark depicted in it. The legend sheet discusses some of Benjamin Franklin's achievements and traces the history of the building created in 1823. The artwork, margins and art surface, is in pristine condition. Close-Up

Brumbach497L

Legend: The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This handsome lithograph is a beautifully illustrated history of the structure conceived in 1823 and originally called the Franklin Institute of the State of Pennsylvania for the Promotion of the Mechanic Arts. Throughout the nineteenth century, the institute's pioneering effort in education had enormous influence. Today it has expanded to include some four hundred working exhibits which are as enlightening as they are entertaining, bringing together the principles of science and technology. The artwork, margins and art surface, is in pristine condition. Close-Up

Bueno736

Bueno. Boats at Dock IVX/XX. Lithograph. The paper size is 24" x 27 1/2" . The colors are warm and rich. The representation is clean and crisp. The lithograph was acquired in 1980. The lithograph is signed and numbered in pencil. The art, margins and art surface is excellent condition. Close-Up

$200.

Cardillio205

Rimer Angel Cardillo. Altia. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio206

Rimer Angel Cardillo. India. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio207

Rimer Angel Cardillo. Malvon. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio208

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Rimer Angel Cardillo. Taco. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up

$350.

Cardillio209

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Rimer Angel Cardillo. Trevol. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up

$350.

CH240

Shui Yi. Kweilin Mountains in Mist Edition of 100. Watercolor on silk. The paper size is 12 1/2" x 18 1/2" . This 1978 watercolor was acquired in 1981. This artwork is authenticated by the artist's seal. Kwelin, a city in the northeaster part of south China's Kwangsi Chuang autonomous region, is a city with scenery that has captivated the imagination of travelers, artists, and poets for centuries. Kweilin, typical of China's karst lands, owes its fame to its peculiar topography which can be traced over 300 million years to the period when the region was a sea bed with thick overlay of limestone. Through crustal movement, the sea bed thrust up, and the layers of limestone, eroded by acidic water and wind, formed an expanse of land marked by majestic hills and caverns in fantastic shapes. The area is made up of unusually shaped limestone hills, underground hills, underground rivers, and numerous caves. This original hand painted landscape is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

$500.

CH752

Yi Shui-yun. Man with Horse. Watercolor. The paper size is 14" x 20". This original watercolor is one of a pair of watercolors, the partner watercolor being the image displayed directly below, Two Riders on Horseback and Two Men. Painted during summer, both pieces were inspired by the old city in which they were painted. The pair was acquired in 1981. The watercolor is authenticated by the artist's seal. Handsomely executed in contemporary color this work illustrates ancient life in China during the Sung or Ming Dynasty. Figures armed with bow's are apparently preparing for battle, hunt, or sport. Images are presented in brilliant gouache with a handsome use of white for the opaque color. The painting, a one of a kind original, is mounted with a silk brocade border. The artwork, margins and art surface is in pristine condition. Close-Up | Closer

$650.

CH241

Yi Shui-yun. Two Riders on Horseback and Two Men. Watercolor. The paper size is 14" x 20". This original watercolor is one of a pair of watercolors, the partner watercolor being the image displayed directly above, Man with a Horse. Painted during summer, both pieces were inspired by the old city in which they were painted. The pair was acquired in 1981. The watercolor is authenticated by the artist's seal. Handsomely executed in contemporary color this work illustrates ancient life in China during the Sung or Ming Dynasty. Figures armed with bow's are apparently preparing for battle, hunt, or sport. Images are presented in brilliant gouache with a handsome use of white for the opaque color. The painting, a one of a kind original, is mounted with a silk brocade border. The artwork, margins and art surface is in pristine condition. Close-Up | Closer

$650.

CH246

Yu. Landscape of Beauty with Lake, Mountain, and Sails. Watercolor. The paper size is 16" x 27". This watercolor painted during a new moon during in or around 1978, was acquired in 1981. This original watercolor is authenticated by the artist's seal. In this painting the artist uses a series of planes receding into the distance which nicely combines Chinese traditional spatial presentation with more recent art such as the space concepts used by Cezanne. The handling of space over all is redolent of a land-space tradition which is centuries old. The work is painted with the limited pallette common in much ancient Chinese art. The suggestion of figures off in the distance is a traditional handling of the figure in a landscape. Although man is possessed of intellect, the figure is a minor element compared to the infinite world of nature where a countryside of towering surreal mountains and water ask for awe and contemplation. The spirit and the delicate painting technique of this lovely painting is thoroughly Chinese. This original hand painted landscape is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

$650.

CH 239

Zheng Ging. Peony. Watercolor on silk. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

This painting is one of a triptych. White Blossoms CH748 and, Purple Blossoms CH747, the other two images in the triptych, are discussed below.

$385.

CH 748

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zheng Ging. White Blossoms. Watercolor. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

This painting is one of a triptych. Peony CH239 and, Purple Blossoms CH747, the other two images discussed directly above and below.

$385.

CH 747

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zheng Ging. Purple Blossoms. Watercolor. The paper size is 10" x 15". This watercolor was acquired in 1981 and is authenticated by the artist's seal. This lovely delicate watercolor painting on silk is reminiscent of the art of ancient Chinese masters, in which watercolor on silk and similar motifs and design express images in nature. The style has remained fresh for centuries. The calligraphy explains that the flowers in this picture are from a famous court yard park in a town called Suzhou, which is near Shanghai. The translation continues explaining the flower has been in this park for 400 years. This painting is mounted with a silk brocade border. The artwork, margins and art surface, is in pristine condition. Close-Up

This painting is one of a triptych. Contact us to see Peony CH239 and, White Blossoms CH748, the other two images discussed directly above.

$385.

CH 243

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Liu Jin-feng. Grazing Horses. Painted after brick tomb painting from a collection from ancient tombs of the period 618-960 AD, between the Han and Tang dynasties. The paper size is 12 ½" x 20 ½". The watercolor was acquired in 1981. This original watercolor, painted by a female artist and authenticated by the artist's red seal is mounted with a silk brocade border. This painting is a perfect pair to Musicians, discussed directly below. The artwork, margins and art surface, is in pristine condition. Close-Up

About Ancient Tomb Brick Paintings

China's ancient mural painting is noted for its long history, rich content and unique style. It is a crystallization of the wisdom and devotion of Chinese painters through the ages. Six tombs of the Wei and Chin periods (ca. AD 220-316) located in the Gobi Desert and excavated in 1972-73 uncovered a collection of brilliantly colored paintings in the interior brick walls. These paintings are unsurpassed by any other known tomb wall paintings, in both quantity and the richness of their content. These and those above which are representations from Hang - Tang periods (ca. 618-960), present an intimate glimpse of life in China during ancient time.

The paintings are lively, based upon careful observation, and reveal details of dress, habit and personalities. The brush strokes, free and bold - splashes of color - mainly ochre and reds, express warmth and movement. This style is simple and unpretentious and communicates the full, rich flavor of ancient China. The discovery of these extremely rare paintings gives important information to Chinese historians and is a thrilling source of visual pleasure for collectors.

$250.

CH 244

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Bao. Musicians with Pee Pah and Flute. Painted after brick tomb painting from a collection from ancient tombs of the period 618-960 AD, between the Han and Tang dynasties. The paper size is 12 ½" x 20 ½". The watercolor was acquired in 1981. This original watercolor, painted by a male artist and authenticated by the artist's red seal is mounted with a silk brocade border. This painting is a perfect pair to Grazing Horses, discussed directly above. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer

About Ancient Tomb Brick Paintings

China's ancient mural painting is noted for its long history, rich content and unique style. It is a crystallization of the wisdom and devotion of Chinese painters through the ages. Six tombs of the Wei and Chin periods (ca. AD 220-316) located in the Gobi Desert and excavated in 1972-73 uncovered a collection of brilliantly colored paintings in the interior brick walls. These paintings are unsurpassed by any other known tomb wall paintings, in both quantity and the richness of their content. These and those above which are representations from Hang - Tang periods (ca.618-960), present an intimate glimpse of life in China during ancient time.

The paintings are lively, based upon careful observation, and reveal details of dress, habit and personalities. The brush strokes, free and bold - splashes of color - mainly ochre and reds, express warmth and movement. This style is simple and unpretentious and communicates the full, rich flavor of ancient China. The discovery of these extremely rare paintings gives important information to Chinese historians and is a thrilling source of visual pleasure for collectors.

$250.

CH2

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it. )

Zhejiang printmaker, after a painting by Bai Xu-hao. Cultivating Medicinal Herbs. Limited Edition Woodblock Print from Huhsien Country. The paper size is 20" x 27". This original 1983 woodblock print is authenticated on the verso (back of the paper) with script and the name of the artist. The art was acquired in 1983. This woodblock print was made by an art scholar replicating the imagery and style of Bai Xu-hao of Hu County, in China's Shensi Province. This art is that of the peasant painters of Husien Country who in 1958 first showed pictures, such as these. Bright color and bold design are the trademark of this art. The artwork, margins and art surface, is in pristine condition. Close-Up

About Woodblock Prints from Hushsien Country:

In 1958, untrained farmers began to paint in China with no sense of obligation to the aristocratic art of China's past. They made pictures of their daily lives, with bright color and bold design. Their efforts were received enthusiastically when more than 2,1000,000. people saw the first major exhibition of the work in Peking in 1973, and again in France at the 1974 Paris Biennial.

$350.

Doyle190J

John L. Doyle. Justification Sheet for The Medicine Men suite. 69/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle190L

John L. Doyle. Legend Sheet for the Acupuncturist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle190

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle189

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle183L

John L. Doyle. Legend Sheet for the Bear Cult Shaman. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bear Cult Shaman artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle183

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives paper with beautiful deckle edges. This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle184

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle175L

John L. Doyle. Legend Sheet for the Bon Sorcerer. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bon Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle175

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives white paper, with beautiful deckled edges. This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle176

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle187L

John L. Doyle. Legend Sheet for the Bezoarist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bezoarist artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle187

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle186

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light brown paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle177L

John L. Doyle. Legend Sheet for the Black Foot Medicine Man. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle177

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle178

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle179L

John L. Doyle. Legend Sheet for the Luo Witchdoctor. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Luo Witchdoctor artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle179

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome handmade white BFK Rives paper with beautiful deckled edges. This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle180

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle181L

John L. Doyle. Legend Sheet for the Physician. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Physician artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle181

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle182

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light black paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle191L

John L. Doyle. Legend Sheet for the Surgeon Barber From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Barber artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle191

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle192

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade off white paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle185L

John L. Doyle. Legend Sheet for the Voodo Hougan. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Voodo Hougan artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle185

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle188

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452Just

John L. Doyle. Justification Sheet for The Builders suite. 111/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1983. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452BBB

John L. Doyle. Legend Sheet for Aztec Echo. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452B

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Aztec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452BB

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Azec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GGG

John L. Doyle. Legend Sheet The Vision. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452G

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GG

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle800Cat

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Catalogue for The Counselors suite. This 20 page color catalogue displays the images in the suite, their legend sheets, and the suite's justification page. Text includes historical information from The Counselors presentation at William Mitchell Law School and Harvard University Law Library. Line and color drawings with handwritten anecdotal comments record stages of Doyle's research, and illustrate information about physical, spiritual, and intellectual foundations of law. Preliminary and intermediate drawings, color and monochrome lithograph proofs, and photographs of the final drawings made directly on the lithograph stones, complete a visual research record of work process, theories and philosophies. The catalogue closes with a Doyle biography, list of private and public collectors and exhibitors, acknowledgments of personal relationships and associations with renown institutions, and thanks for encouragement and contributions. Close-Up

Doyle800Just

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Justification Sheet for The Counselors suite. 147/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1985. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition.Close-Up

Ebgi30

Amram Ebgi. Two Musicians. AP/4. Etching. The paper size is 15" x 10". The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering with unique charm. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a perfect pair to the Three Musicians & One Dancing Ebgi755, shown directly below. Close-Up

$350.

Ebgi755

Amram Ebgi. Three Musicians & One Dancing. 25/100. Etching. The paper size is 15" x 10". The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering with unique charm. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. There are slight handling creases in the margins. There is an ink smudge on the edge of the upper right margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a perfect pair to Two Musicians Ebgi30, shown directly above. Close-Up

$350.

Ebgi785

Amram Ebgi. Fisherman. 7/100. Etching. The paper size is 15" x 21".The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. The print was matted with an acid mat and there is foxing at where the mat opened. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a nice pair to the Wailing Wall Ebgi34, shown directly below. Close-Up

$375.

Ebgi34

Amram Ebgi. Wailing Wall. 37/199. Etching. The paper size is 21" x 15. The artwork was acquired in 1981. The etching is signed and numbered in pencil. This piece is a hand colored etching. It is sensitive rendering. Color is subtle and clear and the quality of the coloring and image surface is excellent. This print was mounted on acid paper and some of the material and tape remains on the verso. The print was matted with an acid mat and there is slight foxing at where the mat opened. There are slight handling creases in the margin. Otherwise the artwork margins and art surface is in very good condition. This piece is a nice pair to the Fisherman Ebgi785, shown directly above. Close-Up

$375.

Gross01

Chaim Gross, Chaim Gross: Image One, Members Edition. 24/200. The paper size is 20 7/8" x 17" (53.35 cm x 43.34cm), with full margins. The lithograph is one in the complete folio of nine images and the suite has had only one original owner, an American Collector, who purchased the folio in 1981 directly from The Judaic Heritage Society, New York. The work is signed and numbered in pencil, by the artist. The work represents the best of Chaim Gross's art and master printmaking. Detail is exquisite. The entire suite is available. The works in the sutie are available with frames, without additional charge. Close-Up.

The Framed Set $2,000.

Guedon032

Karla Gudeon, To Life. Watercolor/ Engraving 22" x 28"Close-Up

$1,800.

Herrera211

Miguel Herrera. Christ's Crown. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213a

Miguel Herrera. Dragon Flower. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213

Miguel Herrera. Bearded Iris. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera219

Miguel Herrera. Irises. LV/LXXV. Etching. The paper size is 22" x 30" . The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$700.

Herrera214

Miguel Herrera. Gemini. 24/150. Etching. The paper size is 17" x 13". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$600.

Herrera218

Miguel Herrera. Naturaleaza Muerta (36). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera215

Miguel Herrera. Naturaleaza Muerta (39). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera216

Miguel Herrera. Naturaleaza Muerta (40). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera217

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera220

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Hudson001

Joanna Fraizer Hudson, USA. Watermelon Plug, from Fruits and Vegetables Portfolio. Photograph 4" x 5". Close-Up.

$.

Hudson002

Joanna Frazier Hudson, USA. Trumpet Flower, from the Garden Portfolio. Photograph 12" x 16". Close-Up.

$.

Iger326

Arnold Iger. Begonia. 1/300. Etching. The paper size is 34" x 24". The artwork was acquired in 1979. The artwork is signed and numbered in pencil. For further description of Iger's work see the paragraph above. The etching, margins and art surface are in excellent condition. Close-Up

Note: The grey cast of the paper is caused by the photography. The actual art paper does not have a grey cast.

$450.

Iger326

Arnold Iger. Cymbidium. 96/250. Etching. The paper size is 34" x 24". The artwork was acquired in 1979. The artwork is signed and numbered in pencil. For further description of Iger's work see the paragraph above. The etching, margins and art surface are in excellent condition. Close-Up

Note: The grey cast of the paper is caused by the photography. The actual art paper does not have a grey cast.

$450.

King,Mark86

Mark King. Fox Hunt. 271/325. Serigraph. The paper size is 30" x 40". The art was acquired in 1980. The serigraph is signed and numbered in pencil. The ink surface is unusual in that it has a high gloss and tactile quality. The print looks as though it is an oil painting and not screened ink. The artwork, margins and art surface, is in pristine condition. Close-Up

$2,200.

King, Mark339

Mark King. Bengal Family. 235/325. Serigraph. The paper size is 30" x 40". The art was acquired in 1980. The serigraph is signed and numbered in pencil. The ink surface is unusual in that it has a high gloss and tactile quality. The print looks as though it is an oil painting and not screened ink. There are handling creases, one in the top and one in the bottom margin. Otherwise, the artwork's margins and art surface are in pristine condition. Close-Up

$2,000.

King, Quentin 2047

Quentin King. The Changing Room. 75/225. Serigraph. The paper size is 22" x 30". The serigraph was acquired in 1986. The serigraph is signed and numbered in pencil. The surface of this work is handsome. Color is subtle and strong and contributes, because of it's suburb quality, to the quiet and mystical spirit of the composition. Close-Up

$600.

LeFoll222

Alain Le Foll. Canyon. 86/150. Lithograph. The paper size is 26"x 20". The lithograph was acquired in 1980. The color is clear and bold, with gradations that are subtle and dynamic. The drawing is handsome, and the surface of the art has a rich tactile quality. This lithograph is a perfect pair to Mount, displayed below. The artwork, margins and art surface, is in excellent condition. Close-Up

$750.

LeFoll222

Alain Le Foll. Mount 136/150. Lithograph. The paper size is 26"x 20". The lithograph was acquired in 1980. The color is clear and bold, with gradations that are subtle and dynamic. The drawing is handsome, and the surface of the art has a rich tactile quality. This lithograph is a perfect pair to Canyon, displayed above. The artwork, margins and art surface, is in excellent condition. Close-Up

$750.

Max262

Peter Max. Mime, 62/250. Lithograph. The paper size is 14" x 9 3/4". The work was acquired in 1982. The lithograph is signed and numbered in pencil. This lithograph created in the height of Max's career, is a handsome and classic example of Peter Max's best known, loved and collected work. The lithograph, the entire surface, is in pristine condition. Close-Up

$2,400.

McCormick19

Harry McCormick. Lamp. 121/250. Lithograph. The paper size is 30" x 30". The lithograph was acquired in 1979. This piece, created at the height of McCormick's career, is a classic example of the master printmaker's talent with interiors. For more about this work and the artist please see the paragraphs above. The artwork, margins and art surface, is in pristine condition. Close-Up

$650.

McMillan97

Stephen McMillan. Cypress Path. 3/200. Acquatint. The paper size is 30" x 42". The acquitint is created with three plates and was acquired in 1982. For discussion about the artist's work see the paragraphs above. This acquatint is a perfect pair to Vernal Falls, displayed directly below. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

McMillan98

Stephen McMillan. Vernal Falls. 111/150. Acquatints. The paper size is 30" x 42". The acquatint is created with three plates and was acquired in 1982. For discussion about the artist's work see the paragraphs above. This lithograph is a perfect pair to Cypress Path, the work displayed directly above. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Minch495

Edith Minch. 246/250. Cathedral Basilica SS. Peter and Paul. Offset Lithograph. The paper size is 18" x 16". This piece with the complete Philadelphia Landmarks suite was acquired in 1986. The image is signed in the plate and is also signed and numbered in pencil on the sheet. This piece was created to honor the architectural landmark depicted in it. The legend sheet discusses the history of religious freedom that inspired the creation of the building in 1846, and traces the history of this world renowned sanctuary and the treasures within it. The artwork, margins and art surface, is in pristine condition. Close-Up

Minch495L

Legend : Cathedral Basilica SS. Peter and Paul. Offset Lithograph. The paper size is 18" x 16". This handsome lithograph is a beautifully illustrated history of the structure conceived in 1846, one of the most enduring monuments to Philadelphia's tradition of religious liberty. The Legend discusses and illustrates the impressive baldachin, or canopy, that covers the main altar, the gleaming capitals and entablature which are cast in bronze, and treasures displayed within including a silver chalice lined with gold that was given to St. John Neumann in 1852 by the people of the diocese upon his elevation to bishop in 1852. The cathedral is known throughout the Catholic world for its collection of religious and secular art, including the original decorative work by Constantino Brumidi, who also decorated the United States Capitol dome. The artwork, margins and art surface, is in pristine condition. Close-Up

The two lithographs: $500.

Pandora001

Pandora & Pendragon: 1972, Germany. Snow Leopard Pendant and Brooch. Close-Up.

$.

Rosenau772

Ann O. Rosenau. Trio in Dark Blue. Sandprint. 6/25. The paper size is 12" x 10". The piece was acquired in 1981. The sandprint is signed and numbered in pencil. Trio is a classic example of Rosenau's work. The work had been framed with an acid mat prior to our acquisition of it and there is some foxing at the window of the opening of the mat. There are some minor handling creases. There are no surface scratches or skinning on the print surface. Other than what is above here, the artworks margins and art surface, is in excellent condition. Close-Up

Note: This artwork is also printed in blue and green, and black and white. Contact us to see them.

$85.

Rosenau741

Ann O. Rosenau. About Face. Etching. A/P. The paper size is 30" x 22". The piece was acquired in 1981. The print is signed and numbered in pencil. This embossed etching is a classic example of Rosenau's work. For more information about the art and the artist, please read the paragraphs above. About Face was framed with an acid mat before our acquisition of it. There is some foxing where the window of the mat opened. There are some minor handling creases. There are no surface scratches or skinning on the print surface. Otherwise the artwork, margins and art surface, is in excellent condition. Close-Up

Notes: The skewed paper and darkened side of the page is the result of the photographic process. The actual art paper is rectangular and margins are white on all sides.

This artwork is also printed in tan. Contact us to see it.

$300.

Salenas737

Salenas. Honfleur. 62/ 175. Lithograph. The paper size is 29 1/2" x 21". The colors are warm and rich. The representation is clean and crisp. The lithograph was acquired in 1980. The lithograph is signed and numbered in the margin. The art, margins and art surface is in excellent condition. Close-Up

$300.

Schmitt001

Sandra McKenzie Schmitt. Ballet Dancer, Ceramic Sculpture,12" High. Close-Up

$.

Skinner131

Skinner. Openland. 89/90 Etching. The paper size is 21" x 24". The etching was acquired in 1979. The artwork is signed and numbered in pencil. The dark side of the photograph was created in the photographic process. It is not a dark area in the print. The left margin has a crease in the center portion. The margins have some slight handling creases. Other than what is described above, the artwork, margins and art surface are in excellent condition. Close-Up | Closer

$485.

Skinner132

Skinner. Plane Field. 4/90 Etching. The paper size is 21" x 24". The etching was acquired in 1979. The artwork is signed and numbered in pencil. The dark side of the photograph was created in the photographic process. It is not a dark area in the print. Aside from the some slight handling creases in the margins, the artwork, margins and art surface is in excellent condition. Close-Up | Closer

$485.

Skinner133

Skinner. Road to Oxfordshire. 44/90 Etching. The paper size is 21" x 24". The etching was acquired in 1979. The artwork is signed and numbered in pencil. The dark side of the photograph was created in the photographic process, by the deckle edge of the paper. It is not a dark area in the print. There is a crease in the top of the left margin and other slight handling creases in the margin. Otherwise, the artwork, margins and art surface are in excellent condition. Close-Up | Closer

$485.

Solombre360

Jean Solombre. Image of a Circus Tent. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/20. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This circus tent image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre360A

Jean Solombre. Poem for the Tent Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $950.

Solombre361

Jean Solombre. Landscape: Field with Trees. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This field and tree image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre361A

Jean Solombre. Poem for the Field Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $1,850.

Solombre362

Jean Solombre. Landscape: Field with Clouds. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work with browns greys, purples and greens is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This field and clouds image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition.Close-Up | Closer

Solombre362A

Jean Solombre. Poem for the Field with Clouds Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $1,850.

Solombre363

Jean Solombre. Sea: Calm Sea with Reflections. From Le Coeur Memorable Suite. A suite of 8 engravings each accompanied by a poem written by the artist. 78/120. Aquatint Engraving. The paper size is 22" x30". The engraving was published in 1978 in Paris. The engraving is signed and numbered in pencil. The paper is Arches and has deckled edges. This monochromatic work is inked with lush, rich color and texture. It, like each images in this suite, is art about intermediate moments and self introspection. This sea with reflection image is magical and mystical. The engraving is accompanied by a poem which directs the viewer from dream to reality. The suite is dedicated to Solombre's father and celebrates life. Artwork, margins and surfaces, is in pristine condition. Close-Up | Closer

Solombre363A

Jean Solombre. Poem for the Sea Image. The paper size is 22" x 30". The poem is written in French. Translation to English is available on request. The Poem Page is written on deckel edged Arches paper. The Poem Page is suitable for framing. Margins and surfaces are in pristine condition. Close-Up | Closer

The Aquatint and Poem, together $1,850.

See Corneille:French Artist.
Contact us to see other available engravings by Solombre, not shown on our site at this time.

Tattersfield446 Tattersfield, Ocean Pier. Unique Painting. Gouache and Ink Drawing. The paper size is 16" x 20". This drawing was acquired in 1976. For information about the drawing and its history please read the paragraphs above. This drawing was photographed while mounted and matted. The artwork, margins and art surface, is in pristine condition. Close-Up | Closer $600.

VanDecker738

Van Decker. Boats at Dock 296/300. Lithograph. The paper size is 36 1/2" x 24 1/2". The colors are warm and rich. The representation is clean and crisp. The lithograph was acquired in 1980. The lithograph is signed and numbered in pencil. The art, margins and art surface is in excellent condition. Close-Up

$300.

Yokoi231

Tomoe Yokoi. Broom . A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 26" x 20". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.

Yokoi232

Tomoe Yokoi. Bugle. A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 20" x 26". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.

Yokoi235

Tomoe Yokoi. Salad Bowl . A/P The edition size is 100. Mezzotint and Aquatint Etching. The paper size is 20" x 26". This 1973 etching was acquired in 1985. The work is signed and numbered in pencil. For information about this work and the process please see the paragraphs above. This artwork, margins and surface, is in pristine condition. Close-Up | Closer

$1,400.

Youngquist001

Betsy Youngquist, Fishy Whale. Bead Sculpture 16" x 11"x 7". Close-Up | Closer
Contact us, and go to the artist's page by clicking on her name, to see more art by this sculptor.

$6,800.

Urruty004

Joel Urruty, Lady of the Woods. Wood Sculpture: Mahogany, Maple and Concrete 85"x 12"x 12". Close-Up | Closer

Contact us, and go to the artist's page by clicking on his name, to see more art by this sculptor.

$8,500.