Agam275T

Yaakov Agam. The Fusion Suite. Edition of 200. Serigraphs. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". Printed in New York, USA. The suite, displayed in this composite page, was acquired in 1978. These serigraphs are based on the concept of Agam's contrapuntal paintings, and are classical representations of Agam's life work. They demonstrate the concepts of the innovative critical language Agam's work brought to the art world, illustrating the changing nature of the universe, based on an appreciation and understanding of motion and harmony. A viewer, looking Agam's work from different angles, can identify any number of concurrent visual designs. Art is virtually created by the viewer's eye as it moves across the page. The concept is an art work's "constant becoming."

Each original serigraph image is signed and numbered in pencil. The serigraphs are printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality the feel of a light cardboard. The nature of the paper makes the prints suitable for floating or matting in a traditional frame, or box. The Fusion Suite is particularly interesting because it's combined major pieces (imagined superimposed on each other) aesthetically complete the visual aesthetic - an artwork simultaneously kinetic and static, the synthesis of Agam's kinetic theory. The three major pieces from this suite are displayed directly below: Agam173, Agam274, and the synthesis artwork, Agam275. Close-Up

Agam273

Yaakov Agam. Solfage Fusion 131/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam274 directly below, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

Agam274

Yaakov Agam. Solfage Fusion 150/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. This piece, margins and art surface, is in pristine condition.

Note: This art image is an under section of the final fusion composition. When combined with its intermediate pair, Agam273 directly above, Agam's art of shifting images is visually synthesized, i.e., see below at Agam275. Close-Up

Agam275

Yaakov Agam. Synthesis: Solfage Fusion 98/200. Serigraph, from the Fusion suite. Image size is 22" x 22 1/2" plus margins. The paper size in 27" x 27". The serigraph was acquired in 1978 and is signed and numbered in pencil. The ink surface is rich, and velvet like. There are no scratches. Serigraph is printed on heavy rag paper which appears to have a slight wax finish protecting its clean white margins. The paper has a quality and feel of a light cardboard. The nature of the paper makes the print suitable for floating or matting within a traditional frame or box. The art image is the final fusion of two images from the suite, presented above (Agam272 and Agam274). The upper corner of the left margin has an almost indiscernible crease, about 1/2" in from the edge. Otherwise the artwork, margins and image surface, is in pristine condition.

Note: This work is a combination of the two suite images displayed directly above, Agam273 and Agam274. This synthesis piece combined with the two preceding images is a classic example of Agam's aesthetic of interlacing themes and shifting images. See the composite above. Close-Up

The three Fusion Suite serigraphs $6,500.

Alechinsky2

Pierre Alechinsky. Red Composition. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 22" x30". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Alechinsky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

Alechinsky5

Pierre Alechinsky. Dark Green Composition. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 30" x 22". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Aleschensky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

Aleschensky1

Pierre Alechinsky. Light Green. from the Krach Portfolio. 70/99. Lithograph and Etching. The paper size is 22" x30". The etching was acquired in 1978. The art is signed and numbered in pencil. Under the lithograph Aleschensky glued a negotiable bank note. The artwork, margins and surface, is in pristine condition. Close-Up

Amager196

(This piece is not show on our site at this time, but is available. Contact us if you would like to see it.)

Christine Amarger. El Paris, France. 5/96. Etching. The paper size is 22" x 30". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Armarger197

(This piece is not show on our site at this time, but is available. Contact us if you would like to see it.)

Christine Amarger. Jerusalem Post, Israel. H/C. Etching. The paper size is 30" x 22". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Armarger198

Christine Amarger. Los Angles Times, USA. H/C. Etching. The paper size is 20" x 22". The etching was acquired in 1983. Color and detail are excellent, vibrant and subtle. The etching is signed and numbered in pencil The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Armarger199

Christine Amarger. New York Post, USA. H/C. Etching. The paper size is 22" x 30". The etching was acquired in 1983. It is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Amarger200

Christine Amarger. Yomiuri Shimbun, Japan. H/C. Etching. The paper size is 22" x 30". The etching was acquired in 1983. The etching is signed and numbered in pencil. Color and detail are excellent, vibrant and subtle. The artwork, margins and art surface, is in pristine condition. Close-Up

$750.

Brumbach497

David Brumbach. 246/250. The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This piece with the complete Philadelphia Landmarks suite was acquired in 1986. The image is signed in the plate and is also signed and numbered in pencil on the sheet. This piece was created to honor the architectural landmark depicted in it. The legend sheet discusses some of Benjamin Franklin's achievements and traces the history of the building created in 1823. The artwork, margins and art surface, is in pristine condition. Close-Up

Brumbach497L

Legend: The Franklin Institute. Offset Lithograph. The paper size is 18" x 16". This handsome lithograph is a beautifully illustrated history of the structure conceived in 1823 and originally called the Franklin Institute of the State of Pennsylvania for the Promotion of the Mechanic Arts. Throughout the nineteenth century, the institute's pioneering effort in education had enormous influence. Today it has expanded to include some four hundred working exhibits which are as enlightening as they are entertaining, bringing together the principles of science and technology. The artwork, margins and art surface, is in pristine condition. Close-Up

Calder150T

Alexander Calder. The Flying Colors Collection. These six magnificent and original plate-signed lithographs by Alexander Calder form an exquisite portfolio. Calder conceived this suite from The Flying Colors mural painted in a DC8-62 jet, comissioned by Braniff Airlines and completed in October 1973. Each lithograph is authenticated with the embossed cachet of The Flying Colors Collection. Two original lithographs from the suite are displayed below. Close-Up

Contact us to see the entire suite.

Calder150

Alexander Calder. Convection. Lithograph. The paper size is 23" x 30". This plate-signed lithograph pulled on 100% rag Arches paper and printed in Paris on the traditional flat bed press which has been used for over 100 years in this method of printing. The lithograph was printed in 1974. The colors are strong and vibrant, and seem to have a velvet quality similar to silk screen. This print is one from the Flying Colors Collection portfolio. A discussion about the portfolio is presented above at Calder150T. The lithograph is in pristine condition. Close-Up

$750.

Calder153

Alexander Calder. Friendship. Lithograph. The paper size is 23" x 30". This plate-signed lithograph pulled on 100% rag Arches paper and printed in Paris on the traditional flat bed press which has been used for over 100 years in this method of printing. The colors are strong and vibrant, and seem to have a velvet quality similar to silk screen. The lithograph was printed in 1974. This print is one from the Flying Colors Collection portfolio. A discussion about the portfolio is presented above at Calder150T. The lithograph is in pristine condition. Close-Up

$750.

Cardillio205

Rimer Angel Cardillo. Altia. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio206

Rimer Angel Cardillo. India. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio207

Rimer Angel Cardillo. Malvon. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up | Closer

$350.

Cardillio208

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Rimer Angel Cardillo. Taco. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up

$350.

Cardillio209

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

Rimer Angel Cardillo. Trevol. 109/150. Embossed Etching. The paper size is 22" x 15". The etching was acquired in 1983. The etching is signed and numbered in pencil. This lovely leaf appears to float off of the page. The artist has embossed a chop signature at the left bottom of the paper, just under the image. The image is embossed into the paper allowing for deep margins, deeper at the bottom than the top and sides. This arrangement of image design on the paper combined with the 100% cotton paper's lovely deckled edges makes the work suitable for framing by floating it in a box as well as framing traditionally with a mat. This piece makes an especially handsome presentation when combined with others from the five etching, Foliage, suite. The artwork, margins and art surface, is in excellent condition. Close-Up

$350.

Doyle190J

John L. Doyle. Justification Sheet for The Medicine Men suite. 69/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle190L

John L. Doyle. Legend Sheet for the Acupuncturist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle190

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle189

John L. Doyle. Acupuncturist. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Acupuncturist from Chinese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle183L

John L. Doyle. Legend Sheet for the Bear Cult Shaman. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bear Cult Shaman artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle183

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives paper with beautiful deckle edges. This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle184

John L. Doyle. Bear Cult Shaman. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bear Cult Shaman from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle175L

John L. Doyle. Legend Sheet for the Bon Sorcerer. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bon Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle175

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK Rives white paper, with beautiful deckled edges. This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle176

John L. Doyle. Bon Sorcerer. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light yellow paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bon Sorcerer from Tibetan culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle187L

John L. Doyle. Legend Sheet for the Bezoarist. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Bezoarist artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle187

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle186

John L. Doyle. Bezoarist. 69/150. Lithograph. The approximate paper size is 16" x 20" and the image size is 11" x 16". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light brown paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Bezoarist from Persian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle177L

John L. Doyle. Legend Sheet for the Black Foot Medicine Man. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Acupuncturist Sorcerer artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle177

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle178

John L. Doyle. Black Foot Medicine Man. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Black Foot Medicine Man from North American culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle179L

John L. Doyle. Legend Sheet for the Luo Witchdoctor. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Luo Witchdoctor artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle179

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome handmade white BFK Rives paper with beautiful deckled edges. This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle180

John L. Doyle. Luo Witchdoctor. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Luo Witchdoctor from the Kenya culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle181L

John L. Doyle. Legend Sheet for the Physician. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Physician artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle181

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle182

John L. Doyle. Physician. 69/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, color gradations and drawing detail, on handsome handmade light black paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Physician from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle191L

John L. Doyle. Legend Sheet for the Surgeon Barber From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Barber artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle191

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle192

John L. Doyle. Surgeon Barber. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. The work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade off white paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Surgeon Barber from European culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle185L

John L. Doyle. Legend Sheet for the Voodo Hougan. From The Medicine Men suite. 69/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1981. The legend on this sheet gives history, and symbolism which is part of the Voodo Hougan artwork. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle185

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in 1981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome white BFK paper with beautiful deckled edges. This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle188

John L. Doyle. Voodo Hougan. 69/150. Lithograph. The approximate paper size is 20" x 16" and the image size is 16" x 11". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade grey paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Voodo Hougan from Hatian culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452Just

John L. Doyle. Justification Sheet for The Builders suite. 111/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1983. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452BBB

John L. Doyle. Legend Sheet for Aztec Echo. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452B

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the Aztec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452BB

John L. Doyle. Aztec Echo. 111/150. Lithograph. The approximate paper size is 30" x 22" and the image size is 26" x 18". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light red paper, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the Azec Echo from Mexican culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GGG

John L. Doyle. Legend Sheet The Vision. From The Builders suite. 111/150. Lithograph. The paper size is 11" x 8 1/2" . This piece was acquired with the full suite in 1983. The legend on this sheet gives history and symbolism which is incorporated into the Builders artwork. The legend sheet is made up of line drawings and anecdotal comments hand drawn and hand written by Doyle as history for the individual figure and structure presented in the art. The full sheet, margins and surface, is in pristine condition. Close-Up

Doyle452G

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a five color lithograph with exquisite depth of color, color gradations and drawing detail, on handsome BFK Rives white paper with beautiful deckled edges. This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle452GG

John L. Doyle. The Vision. 111/150. Lithograph. The approximate paper size is 22" x 30" and the image size is 18" x 26". The lithograph was acquired with the full suite in l981. The lithograph is signed and numbered in pencil. This work is a monochrome lithograph, black ink with exquisite depth of color, and color gradations and drawing detail, on handsome handmade light yellow, with beautiful deckled edges. The paper on which this art is printed is worthy of note. Created by Roland Poska, master printer and paper-maker, it is rich and complex in its combination of unusual color and texture. It is stunning art in itself. Poska talks about the paper's deckle edges and explains they too are intended to be evocative of the messages in the Doyle images. Poska says that for him the paper mirror's the concept of a rough unfinished part of man's relationship of man to nature. This handmade paper, similar to that relationship, looks rough and unfinished. The relationship is a kind of work in progress. Poska explains this life philosophy and his art paper saying forces meet and part - like the "deckle", or irregular edge of the paper. "...Nature is one huge deckle edge...in man's relations [with it] forces collide...you have to work out a balance...[or]...deckle edge...". This historically researched presentation provocatively presents the The Vision from Japanese culture. The artwork, margins and art surface, is in pristine condition. Close-Up

Doyle800Cat

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Catalogue for The Counselors suite. This 20 page color catalogue displays the images in the suite, their legend sheets, and the suite's justification page. Text includes historical information from The Counselors presentation at William Mitchell Law School and Harvard University Law Library. Line and color drawings with handwritten anecdotal comments record stages of Doyle's research, and illustrate information about physical, spiritual, and intellectual foundations of law. Preliminary and intermediate drawings, color and monochrome lithograph proofs, and photographs of the final drawings made directly on the lithograph stones, complete a visual research record of work process, theories and philosophies. The catalogue closes with a Doyle biography, list of private and public collectors and exhibitors, acknowledgments of personal relationships and associations with renown institutions, and thanks for encouragement and contributions. Close-Up

Doyle800Just

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Justification Sheet for The Counselors suite. 147/150. Lithograph. The paper size is 30" x 22". This piece was acquired with the full suite in 1985. The lithograph is signed and numbered in pencil. The full sheet, margins and surface, is in pristine condition.Close-Up

Doyle543

John L. Doyle. Sharpshooters. Lithograph. 3/75. The paper size is 40" x 30". The lithograph was acquired in 1981. The lithograph is signed and numbered in pencil. The Cowboy Series, from which this lithograph is taken, was created in 1975. Sharpshooters, a monochrome hand printed stone lithograph on BFK Rives white paper, was the frontispiece for the portfolio. The ink is umber colored and the drawing is strong and sensitive. This handsome and charming montage composition presents American West "olde time favorite" personalities including Jesse James, Wyatt Earp, and Annie Oakley. The artwork, margins and art surface, is in pristine condition. Close-Up

$3,000.

Doyle641

(This piece is not shown on our site at this time, but is available. Contact us if you would like to see it.)

John L. Doyle. Cowboy Gambler. Lithograph Poster. The paper size is 40" x 30". The poster is signed in pencil. This Cowboy Gambler poster was created as part of Doyle's 1974 The Gamblers series. It was displayed at the famous Miami Beach Florida private club known as The Jockey Club, where a Doyle one man show featured The Gamblers suite. Cowboy Gamble is 5 color offset lithograph. It is a handsome, delightful portrait of a wonderfully "colorful" gambler, complete with horse racing forms, tally sheets, and portrait miniatures of horses and the Miami Beach this Gambler obviously loves. Close-Up

$650.

Halsey307T

Brian Halsey. Two Suites. The art presented below is art from the Microcosm suite and the Mandals suite. Microcosms is a suite of six serigraphs printed in Rives 100% rag paper trimmed to 12 1/2" x 12 1/2". The suite was issued in five separate color states designated as portfolios A-E. Portfolio A consists of the first color state of each image, portfolio B consists of the second color state of each image, and so forth. Each portfolio was issued in an edition of 35. Mandalas is a suite of six serigraphs printed on Somerset 100% rag paper trimmed to 21 1/2" x 21" . The suite was issued in three separate color states, designated Portfolios A-C. Each portfolio was issued in an edition of seventy five each. Contact us to see available Microcosms and Mandalas images which are not shown on our site at this time. Close-Up

Halsey310

Brian Halsey. Isotron 4^th State from the Microcosms suite, color state D. 3/35. Serigraph. The paper size is 12" x 12". This image was acquired in 1980. The serigraph is signed and numbered in pencil. The color and surface of the ink is rich and beautiful. For other descriptive information see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$200.

Halsey11

Brian Halsey. Nuclead 8^th State from the Microcosms suite, color state D. 18/35. Serigraph. The paper size is 12" x 12". This image was acquired in 1980. The serigraph is signed and numbered in pencil. The color and surface of the ink is rich and beautiful. For other descriptive information see the paragraph above. The artwork, margins and art surface, is in pristine condition. Close-Up

$200.

Herrera211

Miguel Herrera. Christ's Crown. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213a

Miguel Herrera. Dragon Flower. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera213

Miguel Herrera. Bearded Iris. LV/LXXV. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera219

Miguel Herrera. Irises. LV/LXXV. Etching. The paper size is 22" x 30" . The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$700.

Herrera214

Miguel Herrera. Gemini. 24/150. Etching. The paper size is 17" x 13". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$600.

Herrera218

Miguel Herrera. Naturaleaza Muerta (36). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera215

Miguel Herrera. Naturaleaza Muerta (39). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera216

Miguel Herrera. Naturaleaza Muerta (40). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera217

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Herrera220

Miguel Herrera. Naturaleaza Muerta (38). 80/125. Etching. The paper size is 22" x 30". The work was acquired in 1983. The etching is signed and numbered in pencil. The surface of the print is lush and drawing detail is lovely. Please see the close-up detail photography of the work, below. The art, margins and art surface, is in pristine condition. Close-Up | Closer

$750.

Kimura72

Risaburo Kimura. Geneva, from the suite Great Cities of the World. 153/250. Lithograph and Serigraph. The print is made of twelve colors and is printed from four plates and eight screens. The paper size is 30" x 24". The artwork was acquired in 1978. The artwork is signed and numbered in pencil. For more information about the suite see the paragraph above. The artwork, margins and art su