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 Abstraction
Abstract art is art that does not depict recognizable
scenes or objects, but instead is made up of forms and colors that exist
for their own expressive sake. Abstract art, regarded
as the most characteristic form of 20th century art, is art that has abandoned
the traditional European conception of art as the imitation of nature.
Even though the creation of an artwork may start from the
artist's awareness of an object in the external world, the aesthetic creation
is visually independent. The aesthetic premise is, formal qualities can
be thought of as existing independently of subject matter. Three basic
tendencies generally are depicted in these works: 1)
the reduction of natural appearances to radically simplified forms, see
Kimura prints in our
collection; 2) the construction of works
of art from non representational basic forms, often simple geometric shapes,
see Bolotowsky and
Maxwell; and 3)
spontaneous, 'free' expression, as the action painting of Jackson Pollack
and the Alechinsky
prints in our collection.
Some art historians prefer alternative terms to the simple
term abstraction, to describe these images. Non-objective, non
figurative, and non representational is used to describe art
not intended to realistically represent recognizable objects or figures.
(Some scholars refer to these works simply by describing the type of shapes
depicted such as hard edge and amorphous.)
Objective abstract art is used to describe to works
in which recognizable objects or figures appear, and are abstracted or
changed from their natural forms. Many 'isms' or art movements have developed
from these basic styles. Discussion of these movements is reserved for
another time.
 Our
entire collection is not displayed. Contact
us if you are looking for something not displayed
at this time.
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Agam275T
Yaakov Agam. The
Fusion Suite. Edition of 200. Serigraphs. Image size is 22"
x 22 1/2" plus margins. The paper size in 27" x 27". Printed in
New York, USA. The suite, displayed in this composite page, was
acquired in 1978. These serigraphs are based on the concept of Agam's
contrapuntal paintings, and are classical representations of Agam's
life work. They demonstrate the concepts of the innovative critical
language Agam's work brought to the art world, illustrating the
changing nature of the universe, based on an appreciation and understanding
of motion and harmony. A viewer, looking Agam's work from different
angles, can identify any number of concurrent visual designs. Art
is virtually created by the viewer's eye as it moves across the
page. The concept is an art work's "constant becoming."
Each original serigraph image is signed and numbered
in pencil. The serigraphs are printed on heavy rag paper which appears
to have a slight wax finish protecting its clean white margins.
The paper has a quality the feel of a light cardboard. The nature
of the paper makes the prints suitable for floating or matting in
a traditional frame, or box. The Fusion Suite is particularly
interesting because it's combined major pieces (imagined superimposed
on each other) aesthetically complete the visual aesthetic - an
artwork simultaneously kinetic and static, the synthesis of Agam's
kinetic theory. The three major pieces from this suite are displayed
directly below: Agam173, Agam274, and the synthesis artwork, Agam275.
Close-Up
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Agam273
Yaakov Agam. Solfage
Fusion 131/200. Serigraph, from the Fusion suite.
Image size is 22" x 22 1/2" plus margins. The paper size in 27"
x 27". The serigraph was acquired in 1978 and is signed and numbered
in pencil The ink surface is rich, and velvet like. There are no
scratches. Serigraph is printed on heavy rag paper which appears
to have a slight wax finish protecting its clean white margins.
The paper has a quality and feel of a light cardboard. The nature
of the paper makes the print suitable for floating or matting within
a traditional frame or box. This piece, margins and art surface,
is in pristine condition.
Note: This art image is an under section of the final
fusion composition. When combined with its intermediate pair, Agam274
directly below, Agam's art of shifting images is visually synthesized,
i.e., see below at Agam275. Close-Up
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Agam274
Yaakov Agam. Solfage
Fusion 150/200. Serigraph, from the Fusion suite.
Image size is 22" x 22 1/2" plus margins. The paper size in 27"
x 27". The serigraph was acquired in 1978 and is signed and numbered
in pencil The ink surface is rich, and velvet like. There are no
scratches. Serigraph is printed on heavy rag paper which appears
to have a slight wax finish protecting its clean white margins.
The paper has a quality and feel of a light cardboard. The nature
of the paper makes the print suitable for floating or matting within
a traditional frame or box. This piece, margins and art surface,
is in pristine condition.
Note: This art image is an under section of the final
fusion composition. When combined with its intermediate pair, Agam273
directly above, Agam's art of shifting images is visually synthesized,
i.e., see below at Agam275. Close-Up
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Agam275
Yaakov Agam. Synthesis:
Solfage Fusion 98/200. Serigraph, from the Fusion suite.
Image size is 22" x 22 1/2" plus margins. The paper size in 27"
x 27". The serigraph was acquired in 1978 and is signed and numbered
in pencil. The ink surface is rich, and velvet like. There are no
scratches. Serigraph is printed on heavy rag paper which appears
to have a slight wax finish protecting its clean white margins.
The paper has a quality and feel of a light cardboard. The nature
of the paper makes the print suitable for floating or matting within
a traditional frame or box. The art image is the final fusion of
two images from the suite, presented above (Agam272 and Agam274).
The upper corner of the left margin has an almost indiscernible
crease, about 1/2" in from the edge. Otherwise the artwork, margins
and image surface, is in pristine condition.
Note: This work is a combination of the two suite
images displayed directly above, Agam273 and Agam274. This synthesis
piece combined with the two preceding images is a classic example
of Agam's aesthetic of interlacing themes and shifting images. See
the composite
above. Close-Up
The three Fusion Suite serigraphs
$6,500.
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Agam638
(This piece is not shown on our site at this
time, but is available. Contact
us if you would like to see it.)
Yaakov Agam. Transformables.
Poster. Serigraph. 40" x 20". This rare poster was acquired in 1976.
It is a commemorative artwork which advertised the 1971 one man
show at the renowned Denise Rene gallery in New York. The black
and white image appears to tumble similarly to Agam's most well
known works, which in their appearance of tumbling colors and shapes
transform themselves, changing from one visual impression to another.
Close-Up
$100.
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See
Ebgi,
Israel. Representational Figurative Art.
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Alvar278
Alvar Sunol, Personages
Il Fenestra. 44/150. Lithograph. Paper Size 29 1/2" x 20 1/2".
The lithograph was acquired in 1976. The lithograph is signed and
numbered in pencil. Color is rich and detail is complex in this
classic handsome early artwork. The art, image and margins, is in
pristine condition. Close-Up
$1,200.
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Albers276
Josef Albers,
Homage to the Red Square: Mars au Avril. Poster, Serigraph.
Image and Paper size is 36" x 26". The poster is from the collection
of rare and original serigraphs from the renowned New York Denise
Renee Gallery. The green square image with its partner image, represented
in the poster shown below, Homage to the Green Square: Mars
au Avril of the same year, are the best examples of Albers.
These posters were shown in his 1968 as part of the New York gallery
one person show. The rag paper on which the poster is created is
heavy. The texture of the ink is clean and velvet like. The color
is vibrant. This work is in pristine condition. Close-Up
Note: A limited variation
of the reds in this image appear on your screen. The actual artwork
is made up of 4 variations of red.
$300.
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Albers277
Josef Albers,
Homage to the Green Square: Mars au Avril. Poster, Serigraph.
Image and Paper size is 36" x 26". The poster is from the collection
of rare and original serigraphs from the renowned New York Denise
Renee Gallery. The green square image with its partner image, represented
in the poster shown below, Homage to the Red Square: Mars au
Avril of the same year, are the best examples of Albers. These
posters were shown in his 1968 as part of the New York gallery one
person show. The work is in mint condition. The rag paper on which
the poster is created is heavy. The texture of the ink is clean
and velvet like. The color is vibrant. This work is in pristine
condition. Close-Up
$300.
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Alechinsky2
Pierre Alechinsky.
Red Composition. from the Krach Portfolio. 70/99. Lithograph
and Etching. The paper size is 22" x30". The etching was acquired
in 1978. The art is signed and numbered in pencil. Under the lithograph
Alechinsky glued a negotiable bank note. The artwork, margins and
surface, is in pristine condition. Close-Up
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Alechinsky5
Pierre Alechinsky.
Dark Green Composition. from the Krach Portfolio. 70/99.
Lithograph and Etching. The paper size is 30" x 22". The etching
was acquired in 1978. The art is signed and numbered in pencil.
Under the lithograph Alechinsky glued a negotiable bank note. The
artwork, margins and surface, is in pristine condition. Close-Up
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Alechinsky1
Pierre Alechinsky.
Light Green. from the Krach Portfolio. 70/99. Lithograph
and Etching. The paper size is 22" x30". The etching was acquired
in 1978. The art is signed and numbered in pencil. Under the lithograph
Alechinsky glued a negotiable bank note. The artwork, margins and
surface, is in pristine condition. Close-Up
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Alechinsky614
(This piece is not show on our site at this time,
but is available. Contact us if
you would like to see it.)
Pierre Alechinsky.
Artexpo 1979. Poster from an exhibition of Alechinsky's
work at the International Art Exposition in Washington D.C. 1979.
Offset Lithograph. The paper size is 17" x 14". The poster, margins
and art surface, is in pristine condition. Close-Up
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Bolotowsky148
Ilya Bolotowsky,
Black Diamond. 107/125. Serigraph. The paper size is 30" x
30". The serigraph was acquired in 1978. The work is signed and
numbered in pencil. This work is a perfect example of Bolotowsky's
use of black and grey with red and blue dilutes. The art, margins
and image, is in pristine condition. Close-Up
Note: The addition number
and signature are written along the vertical and horizontal corner
of the piece, suggesting options of display, i.e., a diamond with
the corner as the base, or traditionally as presented here.
$575.
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Bolotowsky149
Ilya Bolotowsky.
Blue Tondo. 110/175. Serigraph. The paper size is 30" x 30".
The serigraph was acquired in 1978. The work is signed and numbered
in pencil. It is a clean, crisp, and exquisite example of Bolotowsky's
work. The art, margins and image, is in pristine condition.
Close-Up
$750.
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See
Agam,
Israel. Abstract Non Objective Art.
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Calder279
Alexander Calder.
L'Inquietude. E/A. Lithograph. The paper side is 24" x
40". The lithograph was acquired in 1978. The lithograph is signed
and numbered in pencil. This work is a marvelous example of Calder's
work. He has mastered the lithograph technique with classic Calder
skill.
It is works like this late Calder that are classic
treasures because they, like all his successes, are permeated with
an unfailing sense of invention, perfect balance, and appropriate
scale, which kept Calder's work extraordinarily fresh. The lithograph,
full sheet and art surface, is in pristine condition. Close-Up
Note: The skewed paper shape is a result of
photography. The actual paper is not skewed.
$3,200.
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Calder150T
Alexander Calder. The Flying Colors Collection. These six magnificent and original plate-signed lithographs
by Alexander Calder form an exquisite portfolio. Calder conceived
this suite from The Flying Colors mural painted in a DC8-62
jet, comissioned by Braniff Airlines and completed in October 1973.
Each lithograph is authenticated with the embossed cachet of The
Flying Colors Collection. Two original lithographs from the
suite are displayed below. Close-Up
Contact
us to see the entire suite.
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Calder151
Alexander Calder.
Convection. Lithograph. The paper size is 23" x 30". This
plate-signed lithograph pulled on 100% rag Arches paper and printed
in Paris on the traditional flat bed press which has been used for
over 100 years in this method of printing. The colors are strong
and vibrant, and seem to have a velvet quality similar to silk screen.
The lithograph was printed in 1974. This print is one from the Flying
Colors Collection portfolio. A discussion about the portfolio
is presented above at Calder150T. The lithograph is in pristine
condition.
Close-Up
$750.
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Calder153
Alexander Calder.
Friendship. Lithograph. The paper size is 23" x 30". This
plate-signed lithograph pulled on 100% rag Arches paper and printed
in Paris on the traditional flat bed press which has been used for
over 100 years in this method of printing. The colors are strong
and vibrant, and seem to have a velvet quality similar to silk screen.
The lithograph was printed in 1974. This print is one from the Flying
Colors Collection portfolio. A discussion about the portfolio
is presented above at Calder150T.
The lithograph is in pristine condition. Close-Up
$750.
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Calder154
(This piece is not shown on our site at this
time, but is available. Contact
us if you would like to see it.)
Alexander Calder.
Sky Swirl. Lithograph. The paper size is 23" x 30". This
plate-signed lithograph pulled on 100% rag Arches paper and printed
in Paris on the traditional flat bed press which has been used for
over 100 years in this method of printing. The colors are strong
and vibrant, and seem to have a velvet quality similar to silk screen.
The lithograph was printed in 1974. This print is one from the Flying
Colors Collection portfolio. A discussion about the portfolio
is presented above at Calder150T The lithograph
is in pristine condition. Close-Up
$750.
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Calder667
(This piece is not shown on our site at this
time, but is available. Contact
us if you would like to see it.)
Alexander Calder.
Foundation Maeght 69. Poster. Lithograph. 25" x 20". This
rare and marvelous original lithograph poster commemorated Calder's
one man show at Fondation Maeght 1969. It displays a fabulous Calder
stable in the center of the image. The color is vibrant and the
surface is velvet-like. The lithograph poster is in excellent condition.
Close-Up
$150.
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Chemaikin281
Mihail Chemaikin.
220/225. Lithograph. From the 1978 Carnival at St. Petersburg
suite. The paper size is 30" x 22". The image size is 20" x 17 1/2".
The lithograph was acquired in 1978. The suite was created in an
edition of 225 on Arches paper and 75 on Japon paper. The lithograph
is signed and numbered in pencil. The artwork, margins and art surface,
is in pristine condition. Close-Up
$2,500.
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Corneille20
Cornelis Corneille.
Figure from the 1975 Italian Suite. Lithograph. 42/100.
The paper size is 20" x 28". The lithograph was acquired in 1977.
The work is signed and numbered in pencil Color is vibrant crisp
and clean. This work is a classic example of the artist's style,
at the height of his career. The artwork, margins and art surface,
is in excellent condition. Close-Up
$750.
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See
Alechinsky, CoBrA artist.
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Dali2003-4T
Salvador Dali. Homage
to Homer suite. A USA edition of 350 and an International edition
of 350. The paper size is 30" x 40". The two images in the suite
are 29" x 21". The suite was acquired in 1977. The artworks are
signed and numbered in pencil. This suite represents Dali's classic
work from this prime period of his artistic career, both in terms
of subject matter and artistic style. The printmaking is exquisite;
the depth of color gives the art a subtle quality and a rich surface,
simultaneously. The surface is velvet-like. The artworks, margins
and art surface, are in pristine condition. Close-Up
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Dali2003
Salvador Dali. Helen
of Troy from the Homage to Homer suite. 56/350. Lithograph.
The paper size is 30" x 40". The image size is 29" x 21". The lithograph
was acquired in 1977. The artwork is signed and numbered in pencil.
This lithograph is a classic Dali image from this prime period of
his artistic career, both in terms of subject matter and artistic
style. The printing is exquisite. The depth of color allows a subtle
quality and a rich surface to move across the page creating a visual
quality like velvet. The artwork, margins and art surface, is in
pristine condition. Close-Up
$4,200.
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Contact
us to see The Return of Ulysses from
the Homage to Homer suite.
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Goodnough155
(This piece is not shown on our site at this
time, but is available. Contact
us if you would like to see it.)
Robert Goodnough.
Colors on White. 2/150 Serigraph. The paper size is 24 1/2"
x 30". The serigraph is signed and numbered in pencil. For descriptive
information please see the paragraphs above. The artwork, margins
and art surface, is in pristine condition. Close-Up
$1,200.
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Halsey307T
Brian Halsey. Two Suites. The art presented below is art from the Microcosm
suite and the Mandals suite. Microcosms is a suite
of six serigraphs printed in Rives 100% rag paper trimmed to 12
1/2" x 12 1/2". The suite was issued in five separate color states
designated as portfolios A-E. Portfolio A consists of the first
color state of each image, portfolio B consists of the second color
state of each image, and so forth. Each portfolio was issued in
an edition of 35. Mandalas is a suite of six serigraphs
printed on Somerset 100% rag paper trimmed to 21 1/2" x 21" . The
suite was issued in three separate color states, designated Portfolios
A-C. Each portfolio was issued in an edition of seventy five each.
Contact us to see available Microcosms
and Mandalas images which are not shown on our site at this
time. Close-Up
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Halsey310
Brian Halsey.
Isotron 4th State from the Microcosms
suite, color state D. 3/35. Serigraph. The paper size
is 12" x 12". This image was acquired in 1980. The serigraph
is signed and numbered in pencil. The color and surface of the ink
is rich and beautiful. For other descriptive information see the
paragraph above. The artwork, margins and art surface, is in pristine
condition. Close-Up
$200.
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Halsey11
Brian Halsey.
Nuclead 8th State from the Microcosms
suite, color state D. 18/35. Serigraph. The paper size
is 12" x 12". This image was acquired in 1980. The serigraph
is signed and numbered in pencil. The color and surface of the ink
is rich and beautiful. For other descriptive information see the
paragraph above. The artwork, margins and art surface, is in pristine
condition. Close-Up
$200.
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Contact
us to see other images from Microcosms
and Mandalas.
Contact
us to see individual Halsey images from
other suites, of various sizes up to 30"x 40".
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Indiana329
Robert Indiana.
Triangle #3 from the Polygon suite. 69/100. Serigraph.
The paper size is 31" x 28". The art was acquired in 1979. Color
is rich and the surface is unblemished. The serigraph is signed
and numbered in pencil. For description and discussion of Robert
Indiana's work see the paragraphs above. The artwork, margins and
surface, is in pristine condition. Close-Up
$3,650.
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Indiana333
Robert Indiana.
Love Banner. Serigraph. Poster. The paper size id 15" x 15".
The art was acquired in 1979. Color is rich and the surface is unblemished.
This piece was created as a banner for an 1969 Multiples show. For
description and discussion of Robert Indiana's work see the paragraphs
above. The artwork is in pristine condition.
Close-Up
$250.
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Indiana62
Robert Indiana.
Skid Row. 81/125. Serigraph. The paper size is 22" x 14".
The art was acquired in 1979. Color is rich and the sharp. For description
and discussion of Robert Indiana's work see the paragraphs above.
The artwork, margins and art surface, is in pristine condition.
Close-Up
| Closer
$1,750.
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Indiana579
Robert Indiana.
New York. Serigraph. Poster. The paper size is 43" x 33".
The art was acquired in 1979. Color is rich and sharp. This piece
was created for Indiana's on person show at the well known Denise
Rene New York Gallery. For description and discussion of Robert
Indiana's work see the paragraphs above. The artwork, is in pristine
condition. Close-Up
$500.
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Contact
us to see other Indiana art that is available but
not shown on our site at this time.
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Kimura72
Risaburo Kimura.
Geneva, from the suite Great Cities of the World. 153/250.
Lithograph and Serigraph. The print is made of twelve colors and
is printed from four plates and eight screens. The paper size is
30" x 24". The artwork was acquired in 1978. The artwork is signed
and numbered in pencil. For more information about the suite see
the paragraph above. The artwork, margins and art surface, is in
pristine condition. Close-Up
$1,250.
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Kimura82
Risaburo Kimura.
Sydney, from the suite Great Cities of the World. 244/250.
Lithograph and Serigraph. The print is made of twelve colors and
is printed from four plates and eight screens. The paper size is
30" x 24". The artwork was acquired in 1978. The artwork is signed
and numbered in pencil. For more information about the suite see
the paragraph above. The artwork, margins and art surface, is in
pristine condition. Close-Up
$1,400.
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Contact
us to see other images from the twenty piece Great Cities
of the World suite.
See:
Amarger: Great
World Newspapers.
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LeBaDang344
Le Ba Dang.
Blue Asian Landscape. 78/195 Lithograph. The paper size
is 30" x 22". The medium was acquired in 1979. For discussion about
the work see the paragraphs above. The artwork, margins and art
surface, is in pristine condition. Close-Up
| Closer
Note: The grey area in the
margin is in the photograph of the artwork only. It is not in the
actual art.
$1,200.
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LeBaDang92
Le Ba Dang. Green
Composition with Sun, and Flower in Vase. 78/195 Lithograph.
The paper size is 30" x 22". The medium was acquired in 1979. For
discussion about the work see the paragraphs above. The artwork,
margins and art surface, is in pristine condition.
Close-Up
| Closer
Note: The grey area in the
margin is in the photograph of the artwork only. It is not in the
actual art.
$1,200.
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LeBaDang345
Le Ba Dang. Green
Evening Landscape with Boats. 78/195 Lithograph. The paper
size is 30" x 22". The medium was acquired in 1979. For discussion
about the work see the paragraphs above. The artwork, margins and
art surface, is in pristine condition. Close-Up
| Closer
Note: The grey area in the
margin is in the photograph of the artwork only. It is not in the
actual art.
$1,200.
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LeBaDang93
Le Ba Dang. Yellow
Composition with Blue Flower. 78/195 Lithograph. The paper
size is 30" x 22". The medium was acquired in 1979. For discussion
about the work see the paragraphs above. The artwork, margins and
art surface, is in pristine condition. Close-Up
| Closer
Note: The grey area in the
margin is in the photograph of the artwork only. It is not in the
actual art.
$1,200.
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See:
Collection from Peoples
Republic of China.
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Maxwell346T
Paul Maxwell. Multiples. This composite gives a visual perspective of Paul
Maxwell's multiples. Please read the material about Maxwell's work to understand
the technique used for this unusual art. Maxwell's multiples are
very small editions, sometimes as small as 10. Close-Up
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Contact
us to see other works, similar to those
in this composite.
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Maxwell452
Paul Maxwell.
Wall Piece. 1/10. Acrylic Casting. The canvas size is 48"
x 60". This unique casting was acquired in 1981. The art is signed
and numbered in pencil. Except for a slight warping of the wood
stretcher, which does not effect the look of the work or it's display,
the artwork color, casting, and full airbrushed surface, is in pristine
condition. Close-Up
$10,000.
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Maxwell96
Paul Maxwell.
White Sphere with Yellow. 56/75. Acrylic Casting. The paper
size is 22" x 30". This unique casting was acquired in 1981. The
art is signed and numbered in pencil. This work is a casting on
heavy paper. It will make a handsome presentation in an acrylic
box or mounted in a contemporary frame with a fillet space separating
it from the front glass. The artwork color, white on white and subtle
yellow casting, and full airbrushed surface, is in pristine condition.
Close-Up
$850.
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Maxwell346
Paul Maxwell.
Blue/Green/White. 45/75. Acrylic Casting. The paper size
is 23" x 22". This unique casting was acquired in 1981. The art
is signed and numbered in pencil. This work is a casting on heavy
paper. It will make a handsome presentation in an acrylic box or
mounted in a contemporary frame with a fillet space separating it
from the front glass. The artwork color, handsome blue, green, white,
and subtle yellow casting, and full airbrushed surface, is in pristine
condition. Close-Up
$1,000.
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Contact
us to see other available Maxwell's, not shown
on our web site at this time.
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Pond599
Clayton Pond. Bicentennial
1776-1976. Serigraph. Limited Edition Poster. The paper size
is 40" x 28". This commemorative work was acquired in 1976. The
artwork, art surface and texture, is in excellent condition.
Close-Up
$350.
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See
Peter
Max, American Artist.
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Wine347T
WineArt: 1978-81
The posters illustrated in this composite and displayed
below are replicas of the labels used on the wines they advertise.
The posters were created as art posters in 1983. The works are original
lithographs and their quality is excellent. The wine labels in our
collection include: Chateau Montela, Frog's Leap, Jordan, Mt.
Veeder, Panache, Pecota, Scramsberg, St. Clement, and Stag's Leap.
Close-Up
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Contact
us to see any Wine Art lithograph
poster displayed on this composite.
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Wine375
WineArt. Frog's
Leap. Poster. Lithograph. The paper size is 30" x 22".
Frog's Leap is a wonderful poster with rich color and gold
raised margins around the image. This charming illustration advertises
Sauvignon Blanc from the Napa Valley in California. The art poster
is in pristine condition. Close-up
$300.
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Wine378
WineArt.
Mount Veeder. Poster. Lithograph. The paper size is 30"
x 22". This Mount Veeder Winery poster is handsome
art. The decorative V is reminiscent of ornate complex interlace
patterns used in 6th century biblical illustrations and illustrations
of the Byzantine period, when some of the most beautiful books ever
were made. In the 1500's early printed manuscripts were adorned
with illustrative drawing such as on this poster. This poster art
has gold ink around boarders and fine quality inked lithograph surface.
The art poster is in pristine condition. Close-up
$400.
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Contact
us to see any Wine Art displayed
on the composite photograph, above.
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Wolters142
Charles Wolters.
T-185A. 39/100. Lithograph. The paper size is 38" x 29".
The work was acquired in 1984. The lithograph is signed and numbered
in pencil. This work is wonderfully reminiscent of Clifford Still.
The surface of the lithograph is rich in texture and the art has
a unique mystical in quality. The paper has a lovely deckled edge
that did not photograph for the web site display. The art, margins
and surface, is in pristine condition. Close-Up
$650.
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Wolters144
Charles Wolters.
T-186A. 49/100. Lithograph. The paper size is 38" x 29".
The work was acquired in 1984. The lithograph is signed and numbered
in pencil. This work is wonderfully reminiscent of Clifford Still.
The surface of the lithograph is rich in texture and the art has
a reminiscent of Clifford Still. The surface of the lithograph is
rich in texture and the art has a unique mystical in quality. The
paper has a lovely deckled edge that did not photograph for web
site display. The art, margins and surface, is in pristine condition.
Close-Up
$650.
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Wolters145
Charles Wolters.
T-187A. 32/100. Lithograph. The paper size is 38" x 29".
The work was acquired in 1984. The lithograph is signed and numbered
in pencil. This work is wonderfully reminiscent of Clifford Still.
The surface of the lithograph is rich in texture and the art has
a unique mystical in quality. The paper has a lovely deckled edge
that did not photograph for the web site display. The art, margins
and surface, is in pristine condition. Close-Up
$650.
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